Go to school get skills and meet easly people with same passion to build your crew and get all basic knowledge by people who teach them to you. Learning by mistake is harder and longer.
I value your experience but as a director myself hiring crew, I can see people who have dedicated them to learn and these who think they know because they did plenty of 0 dollars paid features. Most of the people who are making big money went to film school. Learning with the talented one. Luck is possible, but many will fail dreaming. At times I really envied their network and education. After graduation, everyone still gets dumped into the same holding pen and needs to fight their way out.
The Director’s Pre-Production Activities – Part One
I know directors who went to USC who have never worked for a major network or brand, and I know directors who went to some public university out in the midwest who are now making the biggest TV shows. Both ways are hard, neither has any real shortcuts or jumping queues. Barring an amazing thesis that gets into Sundance and starts a career right out of film school, everyone has to slug it out.
Maybe this is very limited to LA only, where tons of possible experience can be gained all around.
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The fact that there is less team and so job makes competition way harder and free time is not spend on helping creating. You need to survive and any day spend on 0 could be seen as a loss. I just wanted to warn potential reader thinking; "Look, he did it, so can I" This is not so easy. You are super lucky to get a way to survive with 0 income and also, surely have skills that other don't have. This is clearly not for everyone.
Yes, it pays at the end for you. I can see hundreds of failure around me after destroying the market the are sitting on; hoping to get in the train of success by selling themselves with super low price. After 2 or 3 years doing all for free Client are also starting to be aware that creativity is not everything and you also need to have basic knowledge coming from school.
On the opposite side, my side , these clients start to question a bit your team background before hiring you.
After 3 horror movies, one teaser for shoes, 3 fashion show Do you think you will convince a bank to get they APAC manager on screen? I wanted to chime in here because I'm in the middle of "slugging it out" like Ben says above. I've been doing freelance work full time for over 5 years, and I've been in LA for over 3. I came up as a camera assistant and an editor, and this past year I've been fortunate enough to make most of my money operating and doing cinematography. Still low-budget, but not as low as many people I've seen on their first feature.
There has been a huge amount of luck on my end so far, but I've also worked insanely hard. I always try to be the most responsive, driven, positive, attentive person on the project, and people usually notice that. In fact, I've never seen anyone get hired because of where they went to school. It's definitely true that school creates a built-in community that can really benefit you.
The Director’s Pre-Production Activities – Part One
But Ben is just proposing another way to build a community. And here's a news flash: school doesn't teach you everything you need to know to be good at your craft. I would say that film school might give you a 6 month headstart in terms of learning vs someone who just gets themselves onto film sets without knowing anything first. After a year or two, there won't be much difference between the two people in terms of knowledge or technical ability. I can see how in other countries where the community is so much smaller and perceptions are different, your school credentials might mean more, but in the US your resume is worthless.
All people care about is how well you can do the job, how hard you work, and how cool you are to work with. It's easy to hold yourself back or blame a lack of success on not going to film school or on people who didn't go and are bringing the market down with their cheap rates and sloppy work. I'm just here to tell you and everyone else reading this that ingenuity, hard work, and a good attitude will take you further than a diploma.
Even if you had that diploma, you'd still need to find your own way. Yes is the short answer. There is always the "Pay more for VIP access" So this is a great roadmap to one of the possible ways to get to do what you love for money and that, is a dream for most people.
7 Rules for Writing Short Films
This story resinated with me, as I came up much the same way, and had the exact same experience. So Yeah, you can skip the line, but the line sometimes is the most important part of your career. Yeah I moved to LA right after college. Most of my networking was the old fashioned kind: meeting people at bars and events, offering to work with them, word of mouth referrals. All of my work has come from referrals, good word of mouth, friends of friends. Eventually I got agents and managers to help expand my network and get me out there to new producers and production companies. Most cities have small film communities.
The same principles can apply on a smaller scale. Though I will be the first to admit that LA offers more opportunities than any other city in the world. Reading your story made me feel happy and confident but scrolling down to read the comments made me remember how the worst part of making films will always be dealing with these self-proclaimed filmmakers who think they are so much better than everyone else. These people should be put in a sealed vault and sent to outer space, seriously! Skip to main content. No Film School. November 16, It's not ALL about the money.
But the question is how did I get to this point? Because I did it ALL to myself before.
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Making these horrible mistakes changes your DNA as a filmmaker. The most important thing you can do is to build a community or become a part of one. It was my film school.
5 Awesome Tactics For Short Filmmakers
But that kind of sucks. It was hard. The lesson? Say yes to ALL the weird but reasonable jobs that come your way. Ben Pluimer is an Emmy nominated director and writer in Los Angeles. Leave this field blank. Reply Share Share this answer:. Batutta Take the time to select the project for your directing debut — one that gives you the best chance to complete your film and accomplish your goals. Documentary filmmakers may have one set of goals, whereas narrative filmmakers may have others.
For first-time directors, goals usually include some of the following: to learn the basics of directing; to screen at film festivals ; to use a short film as proof of concept for a feature length script; to tell your story, your way. Figure out your goals first and then when you consider a possible script to direct, think about whether that project can fulfill your specific goals. If writing is your strongest skill, will this story highlight your writing? I strongly encourage screenwriters to get on-set experience whether they plan to direct or not.
List the people you know you can go to for anything from help on set to letting you bend their ear for advice. You want to especially embrace those with more experience than you for both mentorship and jobs on your film. You will lean on your personal allies for moral support, to help spread the word, and for fundraising help if you go the crowd-funding route.
A free — and ideally unique — location can save time, money and stress. Do you have a friend who owns a small hair salon or a store or a bar? Keep your eyes open for multi-use locations that can double or triple for other sets in your film.
If this is a significant percentage of your budget, then it may be worth building a schedule around the availability of this type of equipment.